#Sonic Charge Synplant Review Software Synthesizer With

Sonic Charge Synplant Review Software Synthesizer With

Instead of creating patches the conventional way by turning dials and knobs, Synplant lets you explore a world of organic sounds by planting seeds that grow into synth patches. Synplant is a software synthesizer with a genetic approach to sound creation. This page contains patches and sound banks for Synplant by Sonic Charge.

Like its siblings, Echobode boast sonic capabilities that range from subtle to severe, making it an extremely versitile audio software offering.Platforms: VST for Windows XP or later, VST & AU for OSX 10.4 or laterWhether you prefer hardware or software when it comes to your synths, one thing you have to admit is that the lower overhead cost of producing software synths allows manufacturers to try out much wilder ideas than would be viable to do in hardware form. Im a big fan of Sonic Charge, and Echobode is a fine addition to their collection, which also includes: Bitspeek, Microtonic, Permut8, and Synplant. Sonic Charge Synplant 1.2.1 Overview Synplant is a software synthesizer with a genetic approach to sound creation. Sonic Charge Synplant 1.2.1 (Full+Crack) Posted by admin on July 16. Already own one of themSynplant is a software synthesizer with a genetic approach to. 255 (+VAT) Save 86 on the complete Sonic Charge Plug-in Bundle, including Echobode, Permut8, Bitspeek, Synplant and Microtonic.

With Sonic Charge’s new softsynth, Synplant, they’ve created an entirely new way of interfacing with a synthesizer and they’ve managed to do it in such a way that, technically speaking at least, there’s almost no learning curve.Installation couldn’t be easier. It kind of recaptures the excitement of what it was like the first time you had a go at programming your own sounds. Sometimes it’s nice to go into an instrument with no idea what you’re doing and just start playing around. This is all well and good in that it makes the learning curve with a new instrument a bit less steep, but it also keeps your sound programming ‘in the box’ creatively speaking. You program them with knobs or buttons, you send oscillators through a filter of some sort, and you shape the amplitude with an envelope.

This way, you have 12 options to choose from as you sculpt your sound. Each branch that you drag out alters the seed in a different way and is assigned a different key on the keyboard. You don’t have any control over what dragging the branches alters, but that’s where the musical keys come in.

This usually isn’t necessary since Synplant will attempt to make the sound map on the keyboard in a musical way, but sometimes it’ll be out of tune, which is where this knob comes in handy. The first, tuning, allows you to tune the sound. There are also undo and redo buttons at the top of the interface in case you make a mistake along the way.There are four sliders circling the seed window. Or, if you are finding that the seed isn’t providing you with anything to your liking, you can start over from scratch by having Synplant generate a new seed to start from. You can either stick with this sound, or use it as a new seed to further alter.

What good is a synth if the only way to create sounds is more or less at random? What happens if you come up with a sound that is close to what you want, but not quite there? This is where the Gene Editor comes in, which you access by clicking on the double helix button at the top of the interface.The Gene Editor allows access to 37 different parameters that can be altered using sliders cleverly disguised as a DNA double helix. Additionally, at the bottom, there are sliders for wheel scaling (the mod wheel can be used to grow all the branches simultaneously), velocity sensitivity, and volume.Now, I know what you’re thinking. Finally, there is “Effect” which controls the wet/dry mix of Synplant’s built-in “chorusing reverb”. “Release” acts just like the release value on a standard amplitude envelope works.

There are analog emulations among the presets, but you’re not going to fool anyone into thinking you’re using a Moog by a long shot. Sonically, Synplant has a very digital character. Most of what you’ll need to tweak your sound to perfection is found here, and of course everything is fully automatable in your host program.Synplant comes with 300 nicely varied presets, and registered users have access to 250 additional patches for download off the website (with a valid registration key).

Ultimately, you’ll have to download the demo and give it a try yourself to decide where it’s for you or not.It's really hard to find fault with Synplant. Overall I could see this being very useful to people making ambient, IDM, or even electro house artists looking for a little retro-digital flavor. So if you’re after hard as nails sounds, this might not be for you. It can do noisy sounds, but even in that state it’s not terrible aggressive. Overall, I’d say the general sound of Synplant is like that of an FM synth, although it is capable of a wider variety of timbres.

Secondly, it would be nice if there was a greater variety of effects available, but even this is being nit-picky since I think most of us use external plug-ins for that purpose anyway. It seemed to happen most often when I changed patches, but it also would occasionally happen seemingly at random. First, I encountered stuck notes in Logic quite a bit no matter what controller I was using.

No compression, EQ, or external effects used, just 9 instances of Synplant. I personally loved it and would like to see more companies take chances with radical programming interfaces like this in the future.Here's a quick little throwaway ambient track I threw together in about ten minutes to give you an idea of the sound of Synplant. This is one where you can spend hours wandering blindly through the virtual forest of timbres it creates until you find something that appeals to you that you might never have come up with on your own. Make no mistake, this is not a synth to sit down with a specific sound in mind and start programming. Some people might not appreciate the odd interface or the random nature of its sound generation, while others will find it incredibly refreshing.

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